Through Study Ill on Visual Vocabulary, reinterpreted from the nodes of Rajasthan, geometric architectural forms and their monumental structural presence are extracted and further tuned in resonance with the ornamental finesse of courtly aesthetics. It marks a carried departure from a bygone period, casting form for contemporary expression.

With Vocabulary, the ongoing realisation of jewelled objects engages a visual dialogue between elements of an era and their extracted influence on worn pieces. The study proposes a parallel placement. It is an exercise to imagine synchronity and interpret the visual cohesion of a time, where structure and ornament align in renewed articulation.